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Albrecht Durer
The Martyrdom of the ten thousand
mk168
99x87cm
Oil on wood
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Albrecht Durer
Head of the Apostle Philip
mk168
Oil on canvas
46x38cm
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Albrecht Durer
Head of the Apostle james
mk168
46x38cm
Oil on canvas
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Albrecht Durer
The Holy Family
mk168
Oil on wood
30.5x38.7cm
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Albrecht Durer
St. George
mk168
Oil on linden wood
157x61cm
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Albrecht Durer
St.Eustace
mk168
157x61cm
Oil on linden wood
Munich
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Albrecht Durer
Preparatory drawing fro the Heller Altarpiece
mk168
407x240mm
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Albrecht Durer
The Virgin in Prayer
mk168
Oil on linden wood
1518
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Albrecht Durer
The Adoration of the Holy Trinity
mk168
135x123cm
Oil on paplar
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Albrecht Durer
The Adoration of the Holy trinity
mk168
135x123cm
Oil n poplar
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Albrecht Durer
Project Drawing
mk168
391x263mm
Pen and ink on paper
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Albrecht Durer
Lot flees with his family from sodom
mk168
52x41cm
Oil on linden wood
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Albrecht Durer
The Virgin suckling the Child
mk168
24x18cm
Oil on linden wood
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Albrecht Durer
The Virgin and child at a window
mk168
52x41cm
Oil on linden wood
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Albrecht Durer
The Madonna with the Siskin
mk168
on a small piece of paper on the table in front of the Virgin.
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Albrecht Durer
THe Virgin with the Child holding half a pear
mk168
49x37cm
1512
Oil on linden wood
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Albrecht Durer
The Madonna with the pear
mk168
1526
Oil on wood
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Albrecht Durer
The Apostles john and Peter
mk168
1528
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Albrecht Durer
The Apostle paul and the evangelist Mark
mk168
Oil on linden wood
214x76cm
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Albrecht Durer
Head of a boy facing toward the right
mk168
226x193mm
Watercolor on paper
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| Albrecht Durer
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b.May 21, 1471, Imperial Free City of Nernberg [Germany]
d.April 6, 1528, Nernberg
Albrecht Durer (May 21, 1471 ?C April 6, 1528) was a German painter, printmaker and theorist from Nuremberg. His still-famous works include the Apocalypse woodcuts, Knight, Death, and the Devil (1513), Saint Jerome in his Study (1514) and Melencolia I (1514), which has been the subject of extensive analysis and interpretation. His watercolours mark him as one of the first European landscape artists, while his ambitious woodcuts revolutionized the potential of that medium. D??rer introduction of classical motifs into Northern art, through his knowledge of Italian artists and German humanists, have secured his reputation as one of the most important figures of the Northern Renaissance. This is reinforced by his theoretical treatise which involve principles of mathematics, perspective and ideal proportions.
His prints established his reputation across Europe when he was still in his twenties, and he has been conventionally regarded as the greatest artist of the Renaissance in Northern Europe ever since.
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